To tell the truth, sheepish hesitation slunk through my finger in the second before I clicked into the ‘New Post’ box. I’ve returned here so many times from so many departures that I might as well be going in circles. I’d like to think, however, that they may be increasingly tighter, more practiced loops – like an eight year-old getting better at using a spirograph – and while I’m not sure that’s much to shout about, I should just embrace the wayward path of my blogging orbit and stop making excuses for myself.
So; hello again, most fine of readers. First up, I should mention that writing about videogame stories came to a halt when I actually found gainful employment working in the IT department at Aviva, something which has turned out to be a lot more enjoyable than I would ever have imagined, with the added bonus of paying somewhat better and more reliably than writing articles for small gaming sites. I have a suspicion some might also refer to this as ‘growing up and acting sensibly’.
As a result, writing has once again been elbowed out of its cosy corner in my life and I find myself, in quiet moments, faced with mental images of wide, doleful eyes asking ‘What are you going to do with me?‘
When pondering this question, I come to the same conclusion that, over a few years of writing things largely for my own amusement, I’ve never really done much at all with the fictional side of my writing.
There are two exceptions to this:
The first is a poem about the 2004 Tsunami, which can be found HERE. It was one of the first poems I ever wrote, at a time when I was thinking a lot about the power and nature of the waves, and received the honour of having it included in a group of poems and stories written by and for people who had been involved with the tragedy. I was in France when the gathering it was part of took place, but the poem was read aloud there by my girlfriend of the time – who I cannot imagine doing anything other than knock it out of the park – and I have always felt a real sense of resonance in remembering that my writing was out there amongst people, intertwined with their experiences and feelings. It feels like the words mattered.
The second exception, when compared to the first, is… Well; go past the end of the scale and continue on to other side of the observable universe. It’s somewhere around there. ‘There’s Plenty of Room in my Heart’ is the grisly, comedic, zombie-horror romance poem that I wrote for Rigor Amortis. When I finished writing it, I had the sensation that for the first time I had ‘hit something special’; that the abilities I had been honing for years had actually come together and formed the sum of their parts. It got published, I made a mighty $8, and received the following review from Barnes & Noble:
‘One of the most memorable selections in Rigor Amortis is unarguably Alex Masterson’s poem “There’s Plenty of Room in My Heart.” It’s simultaneously gruesome, playful and romantic – and just a brilliant piece… Masterson’s poem by itself is worth the price of this anthology alone.’
Where to go from here? In fitting with the cyclical theme of this post, I intend on returning back to almost two years in the past – the period in my life where my fiction writing was at its most prominent (read: when I was an unemployed bum) – to pick up the fragments of everything I started, and actually get them finished. The fact that this era can be found a mere one page back on this blog speaks volumes, and I won’t make any promises on the regularity of updates here, but rest assured – I’m back in business, and this time things are getting published.
Digital Metaphor 
